Sunday, 16 March 2014

Tambu, Punta, and Bomba y Plena

What does Tambu, Punta, and Bomba y Plena have in common? Both Tambu and Bomba y Plena were formed  by slaves in plantations. Creating this music and traditions leading to forming new identities in the Caribbean. Punta on the other hand has a different story. The Garinagu were never slaves but still suffered misplacement from colonial powers. Displaced Garifuna by the British from St. Vincent and the Grenadines the Garinagu were placed in boats and sent out to sea. The first settlement was Roatan Island and eventually they moved to Guatemala, Honduras, Nicaragua, and Belize along the Caribbean coast.  Punta consists of a Primera drum which does the leads and improvisation, the Segunda does base rhythm. Along with the Primera the maracas and turtle shells do improv and leads. Dancers lead the Primera and the dance as the name suggests is danced with tip toes.

Bomba y Plena  was created by slaves in Puerto Rico at plantations. Dance and music, in Bomba the dancer does not lead like in Punta. The subidor does leads and tells the dancer how to move, the segundo or buleador does base rhythm. Repiques is the word for improvisation used in Puerto Rico. There has been less room for improvisation over the years compared to Punta, and it's far more choreographed and rehearsed.  The best schools of Bomba y Plena are located in Loiza, Santurce, Guayama and Ponce.
Tambu was created by slaves in Aruba, Bonaire, and  Curaçao. The dance consists of dancing close face to face with your mate with little to none physical contact. Originally it was a religious ceremony that has been secularized through the passing of time. The instruments used are a drum( known as a tambu),chapi(hoe), and a iron idiophone . Highly choreographed and rehearsed.

This three styles of music follow a couple of key concepts that make them similar. They follow a call and response pattern, were created by displaced groups who wanted a form of expression and identity outside of the plantation. This three styles also represent African culture, ancestry and history.

Saturday, 15 March 2014

An Introduction to Anansi's playground


In this blog I will provide an extensive look to Afro-American culture while looking at West Africa.I know that by stating Afro-American most will think I will  only be talking  about the United States, but what  I mean by Afro-American encompasses The Americas as a whole. From Louisiana to Rio Grande do Sul in Brazil. Now you maybe asking yourself what is Anansi or who is Anansi. Anansi is a West African god known for being mischievous and cunning. A god of culture and stories, also known for his misogynistic nature. Anansi is the connection between West Africa and The Americas. 
This vision is is influenced by my surroundings. I am puerto rican  with an affinity for languages and linguistics.Currently a Graduate Student in English in Linguistics at UPR. With an emphasis on sociolinguistics and Endangered Languages. With a new found love for the Garifuna language and culture.
The objective of this blog is to document and celebrate Afro-American culture. Providing fictional short stories about the different cultures and languages that make Afro-American experience and the Diasporas while always looking at West Africa, the root to  this beautiful tree. Creole languages will make a substantial part of the documentation.Music, language and culture will have it's own section.Short stories and links to great Caribbean writers will be provided. Looking forward to the exchange with the readers and what new ideas will stem off.